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Kiss soft pro lens blur how to#

Students realize that their basic equipment puts a limit to their creative mind, not allowing them to turn their ideas into real photos.

Make sure you focus at a slightly longer distance than the hyperfocal distance and you’ll get background elements (e.g. Keep this in mind, don’t fall short otherwise you’ll get an image with the subjects on the horizon out of focus. They try to focus the lens at the exact number the hyperfocal table pops out, falling short most of the time.

Kiss soft pro lens blur how to#

Also, most students don’t know how to focus at the hyperfocal distance.

Neglecting that, when shooting with a wide angle lens (10mm to 35mm), focusing at the hyperfocal distance is the easiest way to maximize depth of field. They are reluctant to use the hyperfocal distance, so they pick small apertures (f/16, f/22) to maximize depth of field. “Why do I get the mountains (or the stars) blurred?” - they ask.

When shooting landscapes, they typically fail to get everything sharp.

They cannot blur enough the background elements to get the desired shallow depth of field.

When shooting portraits, most students fail to separate the subject from the background.

Usually, the top six problems with depth of field are:

The limitations of their own equipment, in most cases a basic DSLR camera with a 18-55mm f/3.5-5.6 kit.

They have not properly internalized the concept.

Most of the students start to realize how their creativity is limited by the incapacity of shooting the desired level of depth of field.

These obstacles fill the atmosphere with frustration and despair, reminding me exactly what I felt when I first started studying and using depth of field. It’s not until the following day, while I’m heldig the practical class, that problems quickly arise. Unfortunately, nothing could be further from the truth. It seems that everyone has properly assimilated the concept. Surprisingly enough, I don’t get many questions during the theory class. PhotoPills’ Dof Calculator - results in Augmented Reality. “That’s very cool… but, where do I focus exactly?” One of the moments students love is when I take my iPhone and use the augmented reality view of PhotoPills’ DoF calculator app to answer one of the most common questions: I support the theory class with many examples and online tools, including the PhotoPill’s on-line depth of field calculator, to help students visualize which settings come into play when shooting both shallow and deep depths of field. In my courses, I explain depth of field together with camera aperture, just after the exposure triangle (aperture-shutter speed-ISO). If that’s your case, don’t worry! You’re not the only one. How can you shoot shallow depth of field? Or deep depth of field? When should you use one approach or the other? Where should you focus the lens? What camera settings should you use?īecause while many experts preach the virtues of strategic use of depth of field, almost nobody tells you how to do it.Īs a result, many well-intentioned photographers are spending their precious time trying to apply depth of field without even completely understanding the concept itself nor knowing how to properly use it. You aren’t sure how to really put depth of field into practical use. It can radically transform good photos into images that win hearts and minds. It is one of the most important tools a photographer can use to create striking images.”Īnd it’s true – using depth of field the right way is very powerful.

“Depth of field is a key compositional element in many, if not most, photographs. Photography master and author, Harold Davis, in his great book, Creative Composition: Digital Photography Tips and Techniques, maintains: "Master depth of field, and your photos will magically look much better."